“社會(huì)萬象的一面濾鏡”—淺談中國(guó)當(dāng)代油畫_22961.pdf

1、“社會(huì)萬象的一面濾鏡”—淺談中國(guó)當(dāng)代油畫I論文題目：“社會(huì)論文題目：“社會(huì)萬象萬象的一面濾鏡的一面濾鏡”—淺談中國(guó)當(dāng)代油畫淺談中國(guó)當(dāng)代油畫專業(yè)：美術(shù)學(xué)業(yè)：美術(shù)學(xué)碩士生：生：陳泉陳泉指導(dǎo)教指導(dǎo)教師：師：焦野摘要摘要至明代以來，油畫在中國(guó)的發(fā)展已有幾個(gè)世紀(jì)，但真正大規(guī)模的普及是從近代才開始的。在每個(gè)不同的發(fā)展時(shí)期，油畫在中國(guó)社會(huì)所扮演的角色和起的作用都不盡相同。那么時(shí)至今日，在物質(zhì)文明空前發(fā)展和精神文明極度空虛的當(dāng)代，中國(guó)油畫又扮演著怎樣的

2、角色，起到什么樣的作用呢它又將如何扮演好歷史賦予它的這個(gè)角色，充分發(fā)揮它的功用呢？本文試圖通過研究中國(guó)當(dāng)代油畫家對(duì)于創(chuàng)作題材和表現(xiàn)手法的選取，分析他們是如何尋找藝術(shù)與社會(huì)的切入點(diǎn)，進(jìn)而對(duì)社會(huì)進(jìn)行關(guān)注和批判，由此引起人們對(duì)社會(huì)的反思。希望借由研究中國(guó)當(dāng)代油畫創(chuàng)作題材，尋找一條中國(guó)當(dāng)代油畫如何能更好的服務(wù)社會(huì)大眾，成為社會(huì)大眾生活一部分的方法。關(guān)鍵詞：詞：當(dāng)代油畫社會(huì)批判關(guān)注研究類型：研究類型：理論研究“社會(huì)萬象的一面濾鏡”—淺談中國(guó)當(dāng)代油

3、畫III目錄緒論........................................................................................................................................11中國(guó)當(dāng)代油畫的發(fā)展歷程...............................................................

4、..................................21.1油畫的“當(dāng)代”性定義.................................................................................................21.2中國(guó)當(dāng)代油畫的定義..............................................................

5、.......................................31.3中國(guó)當(dāng)代油畫的興起和發(fā)展.........................................................................................32中國(guó)當(dāng)代油畫創(chuàng)作的社會(huì)視角.............................................................

6、............................42.1對(duì)于社會(huì)生活環(huán)境的關(guān)注.............................................................................................42.1.1新生代藝術(shù).........................................................................

7、........................................42.1.2玩世現(xiàn)實(shí)主義............................................................................................................52.2對(duì)于社會(huì)文化的關(guān)注...............................................

8、......................................................52.2.1政治波普.....................................................................................................................52.2.2艷俗藝術(shù).............................

9、........................................................................................52.2.3“卡通一代”..............................................................................................................62.3對(duì)于女性生存

10、狀態(tài)的關(guān)注.............................................................................................63中國(guó)當(dāng)代油畫創(chuàng)作對(duì)社會(huì)生活題材的選取.....................................................................73.1對(duì)無聊生活片段的表現(xiàn)性描繪................

11、.....................................................................73.2對(duì)政治圖像和商品符號(hào)的借用.....................................................................................83.3世俗文化的大眾化表達(dá)...................................

12、..............................................................93.4以物、以景寄情的暗喻性表達(dá).....................................................................................94中國(guó)當(dāng)代油畫如何更好的成為反映社會(huì)萬象的一面濾鏡..............................

13、.............104.1加強(qiáng)社會(huì)觀察力度.......................................................................................................104.1.1中國(guó)當(dāng)代油畫對(duì)社會(huì)萬象的反映狀況...................................................................1

14、04.1.2造成現(xiàn)狀的原因.......................................................................................................114.1.3如何加強(qiáng)社會(huì)觀察力度.......................................................................................