徐顯秀墓室壁畫(huà)服飾研究

1、 徐顯秀墓室壁畫(huà)服飾研究 摘 要 徐顯秀墓是近年來(lái)北朝美術(shù)考古的重大收獲， 其墓葬中彩繪壁畫(huà)更是受到學(xué)術(shù)界的廣泛關(guān)注。 本文的主要研究對(duì)象是其墓室壁畫(huà)的服飾，分為四部分進(jìn)行論述。 第一部分主要論述了課題的研究背景及意義， 提出了本文研究的可行性， 對(duì)徐顯秀墓的相關(guān)文章做了文獻(xiàn)綜述。 同時(shí)對(duì)徐顯秀墓進(jìn)行了介紹，主要包括墓葬形制、隨葬品的出土以及墓室壁畫(huà)的狀況。 第二部是對(duì)壁畫(huà)中服飾的分析。 對(duì)男性服飾從首衣、 身衣和足衣三個(gè)方面分析整理其

2、服飾款式。 同時(shí)， 參考文獻(xiàn)資料和考古資料對(duì)折上巾、銀鼠裘衣、窄袖袍等服飾款式進(jìn)行考證，并繪制出其款式圖，最后總結(jié)出男性服飾八種搭配方式。同樣的，女性服飾也從發(fā)式、身衣和足衣三個(gè)方面分析整理， 參考相關(guān)資料對(duì)右衽交領(lǐng)寬袖襦裙以及間色裙等服飾款式進(jìn)行考證， 繪制出款式圖。 最后分析壁畫(huà)中人物服飾的服飾搭配方式，總結(jié)出了十二種女性服飾搭配方式。 第三部分是對(duì)服飾圖案的研究。 首先整理了壁畫(huà)中的服飾圖案類型，共計(jì)十種。然后分析了每種圖案類型的

3、特點(diǎn)并畫(huà)出圖案復(fù)原圖，著重對(duì)聯(lián)珠圖案的聯(lián)珠環(huán)、 主題紋樣和輔花的特點(diǎn)進(jìn)行了歸納總結(jié)和分析， 并與同時(shí)期的聯(lián)珠團(tuán)窠紋進(jìn)行了比較。 最后分析了圖案中蘊(yùn)含的宗教因素。 THE RESEARCH ON THE COSTUMES IN THE WALL PAINTINGS PF XU XIANXIU'S TOMB ABSTRACT In recent years, the significant achievement of art ar

4、chaeology in the Northern Dynasties is the Xu Xianxiu’s tomb whose colorful wall painting have been paid much more attention from academia. The main study object in this thesis is the costume of its wall painting in coff

5、in chamber, which is divided into four parts to discuss. The first part mainly discusses the research background and significance of this subject, and proposes the feasibility of this study, as well as makes a literature

6、 review of the related articles. Meanwhile, it also makes an introduction of Xu Xianxiu’s tomb, which mainly included its shape and structure, the funerary objects excavation and the condition of wall painting in tomb. T

7、he second part makes an analysis of the costumes on the wall painting. In terms of the male costumes, it makes an analysis and arrangement of the costume styles from head clothing, body clothing and foot body. At the sam

8、e time, it refers to the literature and archaeological materials and conducts a textual research of the folding towels superior angle, snow weasel fur coat and narrow sleeve robe and other costume styles, and also draws

9、their style chart. Finally, it makes a summary of eight kinds of match methods in which men were dressed. Similarly, it also makes an analysis and arrangement of the female’s costumes from hair style, body clothing and f

10、oot clothing. Also, it refers to the relevant information to conduct a textual research of the right lapel cross-over collar skirt and skirt consisting of strips alternating and other costume styles, as well as draws the